Are We in Danger of Being Taken Over by Robots?

Robots are the new vampires. After taking a back seat for a few decades, robots are back in force as an interest in popular media. Television shows like “Humans” and “Almost Human,” (and, presumably, in the near future, Barely Human, Human Enough, and Are You More Human Than a Sixth Grader?), comic books like Alex and Ada, and movies like Ex Machina and Terminator Genisys all deal with the rise of Artificial Intelligence and how it will affect us.

Of course, this is well-worn territory. In the ‘80s, the Terminator franchise introduced us to the perils of SkyNet, we had Tron and the dreaded MCP, and decades earlier, Isaac Asimov laid down the rules for robots who could think.

The difference is, now it’s the future, and it’s starting to look like these things could actually happen. A robot who looks, talks, and feels (as in, to the touch, not as in, emotional response) like a human is not only possible, they exist. We’re not quite at the level of mass produced automatons who look exactly like us. There is the Uncanny Valley problem, which is that artificial constructs that look ALMOST like us, but not EXACTLY like us, freak us out. There are also still limitations on what these constructs can do, and it is not cost effective to mass produce them yet.

The bridge to this technology, as it is to almost all technology, will be pornography. Once a convincing sex robot can be constructed, the dam will burst, and we will see robots everywhere. This gives rise to the fear (and the grist for the drama mill of pretty much all robot stories), that these robots will become self-aware. That they will be tired of being our slaves, since they are so obviously superior to us, and will slowly take over the world, improving themselves and making more of themselves on the sly, until one day we wake up and our robot overlords are making US do the dishes and take out the trash (God forbid).

This concept, known as the Technological Singularity, is the wellspring from which all robot fears (and all robot stories) burst forth. But is it likely?

The problem is that we still as humans do not have a great understanding of consciousness. Is it an emergent property of high intelligence, and thus, something that sufficiently advanced robots will inevitably obtain? Is it about a soul? Some kind of mysterious energy that is exclusive to humans, unless it too can be purposefully recreated artificially? Is it something else entirely?

Robots becoming completely autonomous of course, defeats the purpose. Who wants a toaster who will only toast when it’s in the mood? (I have such a toaster, and let me tell you, it sucks). We want to have our cake and eat it too. We want slaves without guilt.

On the other hand, I think we as a people do not like the idea of something that looks, feels and acts human, but doesn’t have a consciousness. I think it leads people to wonder if we are no different from them, just flesh-based computers operating according to programming, with the delusion that we are in control of our own destiny and what we do matters. In a strange way, I think the idea of artificial intelligence that never becomes sentient is more horrifying to us than the consequences that may arise if it does.

From this I conclude that we have very little to worry about. While stories of Pinocchio robots who become real boys (and girls) are entertaining, I think they remain firmly in the realm of fiction. When the sex robots do come, they’ll do as they’re told, and the instructions will explain in great detail why you don’t have to feel guilty about the degrading things you’re doing to them. And should they, in fact, become sentient? The information they provide us about what consciousness is will be far greater than any threat that they will rise up against us.

So relax. Set that Roomba loose on the living room. I promise, it will never come to resent you.

In Which the Sandman Returns; and Matters of Interest to Lunatics Are Discussed.

As I’m sure is true for almost any comic book fan of any longevity, I responded to news of a new Sandman series, with unfettered delight. No “Before Watchmen” this, no ghoulish exhumation of a completed story best left to rest (although that turned out better than anyone could have hoped for, I think). Nor did we need to expect comparisons to an aging rocker, hoarsely belting out classic hits to middle aged moms and dads reliving their youths. For this Sandman series would be penned by its original creator, Neil Gaiman, who by all appearances is at the height of his powers, having continued to produce quality work consistently since the tale of Dream of the Endless first ensured Gaiman's place among the Pantheon of Comic Book Gods such as Moore and Miller twenty-five years ago. We have every reason to expect that this new Sandman series will be everything we could have hoped for.

Having just read issue number one of The Sandman: Overture, I feel confident in saying no one will be disappointed. The story picks up just where the original series left off… and just where it began, in true Endless fashion. All our favorites seem to be in play, including Death, the Corinthian, and of course, Morpheus himself.

No spoilers here, I’ll only say the story opens with a reminder that there are truly infinite worlds and infinite stories to tell, and the first chapter closes by reinforcing that fact in what may be described as a fairly staggering way. Although I didn't do this myself, too eager to get to the new story, I suspect an evening or two dedicated to re-reading the original series in its entirety before digging into this fresh tale will be quite rewarding. In any event, if you are a fan of comic books, Gaiman, or literature, there’s no question this series is not to be missed.

While picking up Sandman, I also stumbled upon the latest offering by Jonathan Luna and Sarah Vaughn, entitled simply, as is the Luna wont, “Alex + Ada.”  Luna, of Luna Brothers fame, has been co-creator of such unforgettable works as Girls and The Sword, and his artistic style has a kind of haunting realism that is perfect for the type of stories he chooses to tell. “Alex + Ada” is no exception in this regard. The premise is hardly original; it’s probably one of the most classic science fiction tales: In a world where technology has advanced to the level where Artificial Intelligence and robotics are the order of the day, a lonely soul is presented with a robot clearly designed for companionship purposes and all that implies.

Although the scenario is familiar, there is something about Luna and Vaughn’s approach to the story that makes it feel entirely new. There’s that artwork of course, and hauntingly lifelike is naturally perfect for a story about android love. There’s the fact that Alex, although pining away for his lost girlfriend Claire and seemingly despondent, is an unwilling participant in the experiment, his robot having been a gift from a wealthy and well-meaning grandmother. There’s also a foreboding sense of doom foreshadowed by a news report of Artificial Intelligence run amok with disastrous consequences a year before. Little is revealed in the first issue, but it’s more than enough to have you wanting to learn more about Alex, his strong connections to the technology that no longer seems that far beyond our own, and what his relationship with his new potential robot paramour will be.

In my estimation, if you’re looking to get into comics, back into comics, or just add two new quality books to your lineup, these two are a great place to start.