So as of last Monday, the Writer's Guild is on strike. Although I am not currently a member of the guild, I had hoped to be one soon, so this is still bad for me. To me this is reminiscent of one of those TV or movie scenes where the executive slides a piece of paper over to the hapless worker and says "this is what I am prepared to offer you" then cackles with glee as the worker opens the paper to find a big fat zero written on it.
The worst was the New York Times article which referred to the Rockefeller Center picketers being just like real picketers except "instead of hard hats and work boots they sported fancy scarves and arty glasses," or something to that effect. I guess journalists somehow consider themselves superior as writers to screen and television writers. I look forward to seeing you pull on your work boots and tool belt when your union strikes.
The fact is that when labor knuckles, all workers lose, whether it's Hollywood screenwriters, baseball players, sanitation workers or fry cooks. In almost every case, whatever labor wants, it's inevitably about one percent or less of what management is getting, despite the fact that labor does all the work (hence "labor"). The writers are asking for very little, just a small piece, ANY piece, of the new media pie. Considering that there is no new media without them and that the producers are offering nothing, does that really make them worthy of derision?
By the way, has everyone heard about "Aqua Dots?" They are this new candy imported by the Chinese that contain the date rape drug. Aren't the Chinese scoring enough points with us without making Christmas come early for American pedophiles? It seems to me like we didn't have these many problems with the Chinese when Clinton was in office.